Millefeuille 2 is a pile of one thousand blank pages torn from books. Christof’s library has been mutilated, again—the first Millefeuille dates from 2006. Millefeuille in French literally means one thousand sheets, leaves or pages. It is also the name for a type of pastry. Some books have no blank pages, quite a few have one in the front and one in the back, some have several. Christof rips out all of the ones he finds. On each page he writes the title and author of the book it is torn from, then assembles the layers and serves this pastry to all the bibliophiles.
Christof Migone is an artist, curator, teacher and writer. His research delves into language & voice, bodies & performance, intimacy & complicity, sound & silence, rhythmics & kinetics, translation & referentiality, stillness & imperceptibility, structure & improvisation, play & pathos, pedagogy & unlearning, failure & endurance. He co-edited the books Volumes (Blackwood Gallery, 2015), and Writing Aloud: The Sonics of Language (Errant Bodies Press, 2001) and his writings have been published in Aural Cultures, S:ON, Experimental Sound & Radio, Musicworks, Radio Rethink, Semiotext(e), Esse, Inter, Performance Research, etc. Between 2008 and 2013 he was the Director/Curator of the Blackwood Gallery at the University of Toronto. His writings on sound art are compiled in Sonic Somatic: Performances of the Unsound Body (Errant Bodies Press, 2012). This fall he will be presenting Hit at Nuit Blanche—a sound performance piece with 25 performers and 10 mixers. He lives in Toronto and is an Assistant Professor in the Department of Visual Arts at the University of Western Ontario.
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